Everything that is recyclable is recycled in my workshop wherever possible. This includes Musser vibraphone frames, which are made from tin foil. Although not suitable for cooking food there are lots of other uses for old tin foil, imagination is the only limiting factor. But then I am a product of my generation who grew up watching a very limited selection of kids TV including Blue Peter which failed to transform my then wayward life unlike Tony Hart who was a genius.
According to references [Groves dictionary of musical instruments I think] the number of instruments in the percussion family exceed six hundred. In reality most of the instruments will be closely related and very rare. Furthermore the standard orchestral range of instruments is smaller still. Even so, I work on a broad variety of instruments, and yet I am still asked if I repair guitars or whatever. My brain can hardly cope with all the knowledge associated with my own specialism without taking on other sections of instruments, I will leave those instruments for those instrument makers!
So to demonstrate the diversity of what I do do [hehe], below are all the posts I have written, in chronological, order starting with the two latest (which are featured on the home page) and going backwards into the depths of time.
After many attempts both with pen and paper and computer power, I came to the conclusion that it was just too difficult to calculate the exact angles of the legs and I didn’t have time to be messing about, so I jumped right in and started making using my best guesses.
Farmers weekly states that the mental health of farmers is below the intergalactic average due to the boring nature of driving tractors around the same fields year after year. They go on to state that music has proved itself to be the best cure for psychological well being as well as improving fertility. They conclude that the best instruments to learn are percussion because you just hit ’em, plus Musser make stuff that you can easily convert for towing behind your Massive Ferguson.
Some of the footage shown in the introduction video is repeated in the video included in this post, but only a small element. The previous video was edited by Nordic Music Days to satisfy their publicity requirements. Just how do you advertise and promote something that doesn’t even exist? I’ll leave that job for those… Read more »
Nordic Music Days host an annual festival this years theme is the northern Lights. For the first time the event will be held in London at the South Bank Centre. To celebrate this event I have been commissioned to create a new instrument.
Things lead on, one from another. As a result of doing the Scrapheap Orchestra television documentary I was approached to do the Smart Meter project, this in turn led onto being asked to do this project and the next project The Northern Lights. All of these projects I have yet to write the posts for, maybe one… Read more »
FOR SALE £ sensible offers
Musser Kelon 3.5 octave Xylophone for sale. I think most xylophones sound too much like marimbas because manufacturers think too much about cutting production costs and not enough about sound quality. The Kelon bars were much better than I was expecting and will be very durable as well as impervious to environmental changes. The field frame that the instrument came on was damaged and disproportionately heavy, so contact me for the options on frame design and get something made properly. This would be a great instrument for a school
£ sensible offers
There is a Musser Kelon 5 octave marimba in my workshop for sale. I am a bit picky when it comes to sound quality, so I was pleasantly surprised by the Kelon bars; much better than I was expecting. The resonators are also the proper top end version as opposed to straight tube. The field frame is functional but not very easy to use, typically badly designed and disproportionately heavy, so contact me for the options on frame design and get something made properly.
This is the second of the three Premier 701 vibraphones that I am simultaneously working on and is therefore episode two in the, “aging Premier vibes” mini series.
The most obvious aesthetic difference of this vibe (which is the oldest) compared to the other two is that the resonators were still polishing, the motor unit has changed from the push/pull rod speed change to a three stage pulley. The external note rails are polished, but the inner two are painted. However the rest of the components are from the original patterns: black balls in the damper bar, white end pegs, and chunky fanshaft bushes.